The Disenchantment of the Tovia Singer Siren Song · Exhibit E
Testing Singer's Reading of the Psalm's Resolution (vv. 22–31)
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Exhibit A dealt with a single disputed word in Psalm 22:17. Rabbi Tovia Singer's fuller argument reaches beyond that word to the shape of the whole psalm. He grants, for the sake of argument, that the sufferer's affliction is severe — but argues the psalm's own resolution, verses 22–31, describes ordinary deliverance from mortal danger and a lifetime of praise that follows, not death followed by resurrection. Nothing in the psalm, he argues, names a Messiah, and nothing in its ending requires anything more than what David himself, an author who survived numerous near-fatal ordeals, could have written about his own life.
Objection 1 · Autobiographical, With No Explicit Messianic Marker
The superscription reads simply "A Psalm of David." Nowhere does the text use the word Messiah, "son of David," "anointed one," or any other explicit royal-messianic title. Read on its own terms, it is one more entry in David's long catalogue of laments over real, personal danger.
Weight: This is the same test already weighed and found insufficient in Exhibit C: nearly every text later tradition — Jewish and Christian alike — reads messianically lacks the word "Messiah" itself. Psalm 2 and Psalm 110 carry Davidic superscriptions and no explicit messianic title, and both are read messianically in classical rabbinic sources. Absence of a title doesn't settle the question; it only means the reading has to be built from content and reception, which is exactly what the next sections do.
Objection 2 · Verses 22–31 Describe Ordinary Deliverance, Not Resurrection
The psalm's second half has the sufferer alive, praising God "in the midst of the congregation" (v. 22), encouraging others to trust the LORD — the natural language of someone rescued from danger, not someone returned from death.
Weight: This depends heavily on how severely verses 1–21 are read. Verse 15 does not say the sufferer felt near death — it says God "laid me in the dust of death" (עֲפַר־מָוֶת), death-imagery, not illness-imagery. Verse 18's detail of enemies casting lots for the sufferer's garments describes the disposal of a dying or dead man's effects, not a battlefield wound. And verse 29's own resolution contains a genuine textual crux — addressed below — that several ancient versions read as affirming the speaker's continued life specifically in connection with worship rendered after that death-imagery, not simply a return to health. The "ordinary deliverance" reading is possible, but it requires resolving that crux in one particular direction rather than the other.
Objection 3 · The Universal Ending Is Standard Psalmic Hyperbole
Many psalms of thanksgiving end by calling on a wide audience to praise God. Verses 27–31's reach to "all the ends of the earth," "all the families of the nations," and "a people yet unborn" is simply this convention, not a claim about a future messianic age.
Weight: The convention is real, but Psalm 22's scope is distinctive even against that convention — reaching explicitly past the current generation to "a people who will be born" (v. 31) is a different claim from calling contemporaries to praise. The same expanding, nations-and-future-generations pattern appears in material already established as messianic elsewhere in this series (Isaiah 11:10, "to him shall the nations seek," addressed in Exhibit C). Scale and specific future-generation language, not mere thanksgiving-psalm convention, are what distinguish this ending.
Objection 4 · The Whole Argument Rests on a Disputed Word
The reading that turns verses 1–21 into death-imagery leans heavily on כארו/כארו at v. 17 (Exhibit A) — a genuinely disputed textual point. If that reading is wrong, the entire "death, then resurrection" shape of the psalm collapses back into ordinary suffering and deliverance.
Weight: Correct that the two exhibits are connected, and this exhibit does not re-argue Exhibit A's case — see that exhibit for the manuscript and versional evidence. What this exhibit adds is independent of it: verse 15's "dust of death," verse 18's garment-division, and verse 29's own crux all point the same direction without requiring the v. 17 dispute to be settled first. The death-then-vindication shape of the psalm does not depend on any single word.
Taken together: the "no explicit title" objection fails for the same reason it failed in Exhibit C. The "ordinary deliverance" reading has to explain away three separate pieces of death-imagery (vv. 15, 18, and the crux at v. 29), not just reassert itself. The "standard hyperbole" objection undersells how far this psalm's ending actually reaches. And the argument doesn't stand or fall on Exhibit A's disputed word alone.
The psalm's own resolution contains a textual difficulty of exactly the kind this series keeps encountering — small, easily confused letters carrying large interpretive weight.
Masoretic Text
כָּל־יוֹרְדֵי עָפָר... וְנַפְשׁוֹ לֹא חִיָּה
"...all who go down to the dust... and he could not keep his soul alive." On this reading, the final clause describes the dying generally — even those who cannot save their own lives will bow before God.
The Versional Reading
The Septuagint, Vulgate, Peshitta, Ethiopic, and Arabic versions all render the same clause differently — closer to "and my soul shall live for/to Him, and my seed shall serve Him." The Vulgate: et anima mea illi vivet, et semen meum serviet ipsi. This reading requires only the same small letter-confusions this series has traced repeatedly: נַפְשׁוֹ ("his soul") for נַפְשִׁי ("my soul") — a vav/yod confusion — and לֹא ("not") for לוֹ ("to him") — an aleph/vav confusion, the same letter-pair at issue in Exhibit A's כארו/כארי.
On the versional reading, the psalm's closing affirmation is not "even the dying will one day bow" but the speaker's own declaration: "my soul shall live for Him" — spoken in the same first-person voice as the psalm's opening cry, now on the far side of the death-imagery in verses 15–18. That is a resolution considerably closer to Singer's "ordinary deliverance" than to death-and-resurrection only if "my soul shall live" is read as merely continuing to live — but the clause sits immediately after "all who go down to the dust," which places the speaker's own soul's continuation to life in the same breath as those who have already gone down into it.
Pesikta Rabbati (8th century)
Centuries before any modern anti-missionary argument, this classical Midrash applies Psalm 22:15's "dust of death" language directly to the future suffering of "the son of David" — the Messiah — describing him weeping before God under an unbearable burden, quoting the psalm's own words as his complaint. This is not a Christian reading of Psalm 22 read back into Jewish sources; it is a Jewish source, independent of any Christian argument, already applying this psalm's suffering-language to the Messiah's own affliction.
None of this proves Singer's reading wrong by itself — v. 29's crux is genuinely disputed, and reasonable readers differ on which version preserves the earlier text. But "ordinary deliverance, no resurrection, no messianic reading available" overstates what the evidence permits. The psalm's own textual history offers a live alternative in which the sufferer's soul explicitly continues past the point of death-imagery already established in the earlier verses — and a pre-modern rabbinic source already read the psalm's suffering as belonging to the Messiah, not only to David.
Sources: Rabbi Tovia Singer, Outreach Judaism lectures and articles on Psalm 22; Pesikta Rabbati (William G. Braude translation); Adam Clarke and Albert Barnes on the versional evidence at Psalm 22:29; comparative textual note per the Vulgate, Septuagint, and Peshitta. Related: Exhibit A (Psalm 22:17) and the Heaven Project's Psalms interlinear notes.
Artists for Israel International — Heaven Project
The Disenchantment of the Tovia Singer Siren Song
Exhibit A: כארו · Exhibit B: Almah / Virgin · Exhibit C: Isaiah 53 · Exhibit D: Zechariah 12:10 · Exhibit E: Psalm 22 · Exhibit F: Psalm 110 · Exhibit G: Isaiah 9:6 · Exhibit H: Daniel 7:13-14 · Exhibit I: Psalm 2 & 45 · Exhibit J: Daniel 9:24-27 · Exhibit K: Genesis 49:10 · Exhibit L: Beit Lechem →